Sorry, I've been a bit slack with the blog recently. I've been stretching myself a little thin with the various projects I have on the go right now.
So here are some reviews, with another batch pencilled in for next weekend
There are very few definitive genres any more as bands continue to experiment and the number of styles incorporated into one album, continues to grow and grow.
So here are some reviews, with another batch pencilled in for next weekend
Aethyr
There are very few definitive genres any more as bands continue to experiment and the number of styles incorporated into one album, continues to grow and grow.
A perfect example of this are Russian “Doomsters” Arthyr.
Doom may be the over-riding genre used when describing the band, but throw in
Shoegaze / Post Black Metal, Ambient / Drone (possibly with a Winston Churchill
speech backdrop) , hints of Black Metal as well as groove laden Doom and a
slower, more ponderous form of the genre and it’s a big mixing bowl of delights.
The average song length is just over 7 minutes, with 2 tracks clocking in at
over 10 minutes, so there’s a lot of style shifting and boundary hopping going
on. But overall, you’d probably describe Corpus as a gloomy album.
I need to be in the mood to listen to Doom, mainly as I
tend to listen to music while I work, and Doom isn’t the best style for improving
productivity. But this album has enough subtle twists to keep my attention and
the delivery of the bands ideas are top notch.
The album is out Feb 19th and is well worth checking out
https://www.facebook.com/CimmerianShadeRecordings
Nihilistinen
Barbaarisuus
Here are a couple of releases from Nihilistinen
Barbaarisuus. The band are based in the US, but have a guy (Mika Mage) from
Finland at the helm. So the band sound more European, than they do American.
With a new album on the way shortly, it’s time to dust
off the bands output from 2012 and 2013.
To be honest, both releases could be good. But the muddy
production ruins whatever chance these releases had.
Musically, this is Black Metal mixed with
atmospheric / ambient parts. The 2
styles rarely mingle, one tends to follow the other. With the more atmospheric
parts, having the better sound. And at times they remind me of early Burzum.
So it’s the Black Metal parts that let down these
releases. What’s on offer could be very promising, and it seems to be very well
put together and full of Scandinavian pride. But I’m not a fan of this kind of
production as it lacks any power and the drum machine sound is dire, at best.
The two tracks from the Väinämöinen EP are an improvement
from the previous years effort, so there is a chink of light to be found. But
they really need to improve their sound if they are to progress from here.
I’m really digging this 3 tracker from US duo Phantasmal.
This is bullshit free, Heavy Metal with Thrash and Black Metal influences and
it’s a perfect blend of all three genres.
The aggression is reigned in, but it still bears the
hallmarks of classic 80s Thrash & Metal, a bit like Destruction, Mercyful
Fate and NWOBHM forged together in fist pumping metallic unity. Its old school and it makes you feel
nostalgic while listening to it. Which is always a good thing, as far as I’m concerned,
as a lot of the older bands are fading away, we need new blood like Phantasmal
to keep the flame alive.
The production could do with a couple of tweaks, but
overall this is a very satisfying debut demo.
https://www.facebook.com/phantasmalmetal
The Passion Of Our
Souls
The Passion Of Our Souls are a duo. Samuli Tuomas Mäkelä
who handles the music and female singer Julia Mattila, who provides growls as
well as clean singing.
Musically, this is melodic fare, somewhere around the
catchier end of Death Metal. The vocals are harsh during the verses and
pop-tastically catchy during the choruses. And that the deal with TPOOS (damn
name is too long to type each time) Melodic Death with pop choruses.
The formula is ok. Julia has a good voice for both styles,
but my major gripe is that they do the same on each song. Growl, growl, growl,
happy, happy, happy.
TPOOS have got everything just about right, apart from
the song-writing. None of the 4 songs on offer are bad, they just need to break
away from the predictable formula they’ve employed as it wears thin pretty
quickly as you know what to expect as every song is written the same way.
Victims of Contagion
Victims of Contagion hail from Pittsburgh, USA and
they’re purveyors of Technical Death. They’ve supported a number of notable
Death Metal bands and one track on this EP feature a guitar solo from Death’s Bobby
Koelble, so it wouldn’t be a surprise if these guys started knocking on a few
doors on their quest for World domination.
Everything about this release screams class, especially
when they throw in a little acoustic salsa (?) snippet into Terminal Evolution
and it seems like a natural fit. This may be technical, but everything flows in
a progressive manner and it’s not ruined by endless twists and turns. And their
obvious talents aren’t overshadowed by over the top fret wankery, they’ve got
the balance just about right. The flashier bits are mainly tasteful solos and
the aforementioned acoustic groove. They really know how to construct a good
song.
A few years ago, Victims of Contagion would have been
snapped up by the likes of Metal Blade, but with a different music industry in
play today, it would be a shame if the band were overlooked. But I’m sure their
hard work won’t be in vein.
Check em out via Facebook: https://www.facebook.com/victimsofcontagion
or on Bandcamp: https://victimsofcontagion-official.bandcamp.com/releases
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